Mahan’s philosophy is bold yet tender: art should not be confined to the sterile walls of galleries. Instead, it should pulse within the spaces we inhabit, in the homes where we dream, and in the architecture that holds us.
His recent works—art-furniture that transcends utility are a testament to this vision. These creations are not merely functional; they are poems etched in form, whispers of nature molded into tangible intimacy. Through his work, Mahan invites us to step beyond the mundane and into the sacred. His sculptures are not mere objects; they are living, breathing entities fragments of the natural world that echo the mysteries of existence.
